While the project primarily touches on issues of authorship, embodiment and performativity, discourse surrounding digital and new media poetics shows the effect it has on the reader too. The installation explores how meaning shifts from the intended authors recorded on the audio, video and images to myself through the process of collaging and recording the installation objects.
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The video component was a series of video collages of texts documented near the location where Plath committed suicide in Camden, London. Lady/Applicant: The Lazarus, 2010, Video Collage The audio component was collaged from the poems that Sylvia Plath read in the early 1960s entitled Lady Lazarus and The Applicant to form a new hybrid poem entitled Lady/Applicant: The Lazarus.
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The installation consists of audio and video collages that are created through the cutting and rearranging of prerecorded audio and video recordings of texts into sequences of connected texts that play new poems. Lady/Applicant: The Lazarus, 2010, Audio Collage Installation Details Printable PDF versions of the audio and video poems can be found here for audio and here for video. The collaged audio and video poems can be experienced through watching and listening to them. The act of shifting references away from the author’s life and intention enables the writing to become more open to alternate interpretation, more open to this new historical moment and audience. But, instead of disembodying the writing entirely away from the author, the author now wavers productively between Plath, reader/viewer and myself. The collaging of audio and video clips reembodies Plath as an omnipresent ghost and shifts meaning away from an exclusive association with the tragically depressed, the pathologized Plath. The imperatives of this role still weigh heavy upon the production of her biography and the reception of her work.
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Since Plath’s suicide almost 50 years ago, she continues to be cast as a depressed wife and mother. By presenting collaged audio and video recordings, the project radically questions the power traditionally associated with the author. These identities are particularly those from street signs and audio clips of renowned confessional poet Sylvia Plath. Whether used in branding, album covers, posters, or other design projects, Riseria is sure to leave an indelible mark with its brutalist metal aesthetics, blackletter charm, and spine-tingling thorn decorations.Lady/Applicant: The Lazarus is a multimedia installation and experiment in new media poetics that strategically re-imagines authorial identities.Ĭhris Girard describes the audio and video poems from the installation, 2010 In essence, Riseria is not just a font – it's an artistic statement that pushes the boundaries of conventional typography. The thorns, intricately intertwined with the characters, create an otherworldly aura that is both mesmerizing and unsettling. These frightening adornments add an element of darkness and mystique to the font, elevating it beyond mere letters and transforming it into a visceral and evocative design element. One of the most distinctive features of Riseria is its spine-chilling thorn decorations. Riseria's multilingual support ensures its adaptability across a wide range of languages, making it a globally accessible and inclusive typographic tool. Alternatives provide additional flexibility, enabling users to experiment with different stylistic variations for a truly customized look. The font boasts a comprehensive set of ligatures, allowing characters to seamlessly merge and create a fluid and organic appearance. The fusion of these elements creates a harmonious balance between strength and intricacy, making Riseria an ideal choice for projects that demand a powerful and visually captivating presence. Its design exudes an industrial and unapologetically bold aesthetic, drawing inspiration from the robustness of brutalist architecture and the mystique of blackletter scripts. With 839 meticulously crafted characters, Riseria stands as a versatile typeface that transcends conventional boundaries. This font is a striking testament to the fusion of divergent design elements, resulting in a visually arresting and unique typographic experience.
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